How to Sing in Head Voice and Not Falsetto?

Many singers confuse head voice for falsetto. Young singers can not differentiate head voice from falsetto. Falsetto by definition is a style of singing that involves the upper register of both male and female singers. Falsetto is breathy and hollow. The upper register is a part of the voice commonly used to hit certain notes. Both female and male singers have a vocal upper register. This is an important aspect when separating head voice from falsetto. To understand how the two techniques differ, you must know how to identify both. Falsetto can be used for style and effect. Singers may decide to sing a verse in falsetto instead of chest voice to convey a certain style to the listener. However, head voice is when you sing in your head voice register without releasing breathy notes.

When singing in head voice, it is important to retain control of your voice. Singing too lightly can be a common mistake. Singing too heavily is also a common mistake when attempting to sing in head voice. Chest voice is when the vocal chords are thicker and stretched. Head voice can be found in almost every genre of music. Pressed Phonation is when excessive resistance is present, therefore affecting the voice. The vocal fold level is affected when in phonation mode. Breathy phonation is when there is a complete lack of resistance to air flow. Flow phonation is when there is a full and complete balance between air and muscle in the vocal chords. This type of phonation is optimal and ideal for singers. There are a few techniques that can be used to produce head voice instead of falsetto. The techniques include scale exercises as well as warm-up vocals.

Falsetto can be desirable for certain songs and certain notes. Singers that can not reach certain notes in chest voice may choose to sing in falsetto. For this reason, there are a few ways to practice opening and expanding the vocal chords. The vocal chords may open easier when routinely warmed up. The goal of singing in head voice is to reach high notes with enough vocal power. Breathy falsetto voice is harder to control and therefore the effect is less desirable.

Singers who sing in head voice can control their breath well and therefore create harmonized notes. If a singer is singing in pressed phonation, they may not be able to control the vocal folds. The vocal folds are delicate and therefore must be treated with care. Breathy phonation is not optimal either. The most optimal condition is flow phonation. Flow phonation is the balance for singers and therefore practice is very important to perfecting this skill.

Another important tip for singing in head voice instead of falsetto is to try to emulate other singer’s head voices. Professional singers have been trained to properly sing in head voice. Singers that are attempting to sing in head voice should listen to other singers and attempt to emulate the style and techniques they use. This is an important aspect of singing with proper balance and producing harmonized notes.

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